Wednesday, April 23, 2025

David Thomas, leader of Pere Ubu, passed today.

David Lynn Thomas (June 14, 1953 – April 23, 2025) was an American singer, songwriter, musician and poet. He was one of the founding members of the post-punk group Pere Ubu from 1975 to 1982, then 1987 through to his death in 2025.

Thomas also lead the short-lived proto-punk band Rocket from the Tombs in which he played under the moniker "Crocus Behemoth," previously in 1974 to 1975. 

Pere Ubu Studio albums:

  • The Modern Dance (1978)
  • Dub Housing (1978)
  • New Picnic Time (1979)
  • The Art of Walking (1980)
  • Song of the Bailing Man (1982)
  • The Tenement Year (1988)
  • Cloudland (1989)
  • Worlds in Collision (1991)
  • Story of My Life (1993)
  • Ray Gun Suitcase (1995)
  • Pennsylvania (1998)
  • St. Arkansas (2002)
  • Why I Hate Women (2006)
  • Long Live Père Ubu! (2009, with Sarah Jane Morris)
  • Lady from Shanghai (2013)
  • Carnival of Souls (2014)
  • 20 Years in a Montana Missile Silo (2017)[75]
  • The Long Goodbye (2019)[76][77]
  • Trouble On Big Beat Street (2023)




He also released several solo albums and collaborative projects. 

  • David Thomas & the Pedestrians
    • The Sound of the Sand & Other Songs of the Pedestrian (1981)
    • Variations on a Theme (1983)
    • More Places Forever (1985)
  • David Thomas & His Legs
    • Winter Comes Home (1982) (live -disavowed by Thomas in Monster liner notes)
  • David Thomas & the Wooden Birds
    • Monster Walks the Winter Lake (1986)
    • Blame the Messenger (1987)
  • David Thomas & Foreigners
    • Bay City (2000)
  • David Thomas & Two Pale Boys
    • Erewhon (1996)
    • Meadville (1997)
    • Mirror Man (1999) (as part of The Pale Orchestra)
    • Surf's Up!! (2001)
    • 18 Monkeys on a Dead Man's Chest (2004)
  • With Unknown Instructors
    • The Master's Voice (2007)
  • David Thomas and P.O. Jørgens
    • Live Free or Diet (CD, LP 2017)

Though primarily a singer, he was an instrumentalist who also occasionally played melodeon, trombone, musette, guitar or other instruments.

Thomas had a distinctive, high pitched voice; Emerson Dameron comically described Thomas' singing as "James Stewart trapped in an oboe", and Greil Marcus writes, "Mr Thomas's voice is that of a man muttering in a crowd. You think he's talking to himself until you realize he's talking to you."

Visit with my Mom in Williamstown.  Excellent Visit once again.